If Smith didn't have such a remarkable voice, they could stay busy composing songs for artists in several genres the anthemic "Like I Can" could be easily adapted for a contemporary country singer, while a few others could be turned over to young pop artists in need of material that makes them sound more human. That puts all the more focus on Smith's voice and words, the latter of which switch between borderline maudlin ("What use is money when you need someone to hold?") and disarmingly brazen ("Just leave your lover, leave him for me"). The dominance of stripped-down backdrops - some with merely piano, acoustic guitar, and conservative strings - is somewhat surprising. Much more about mourning than movement here, Smith is bold for not attempting to capitalize on the Disclosure and Naughty Boy hits. Deep sorrow informs most of the material.
Those three solo singles are here, along with seven new songs that tend to cast Smith as a heartbroken balladeer. They preceded the release of In the Lonely Hour, the singer and songwriter's debut album. "Money on My Mind," an upbeat statement of purpose more about the soul than the heart, and "Stay with Me," a torch song with a gospel-inspired chorus, were Smith's second and third solo singles. It was quickly eclipsed by a lead role on Naughty Boy's "La La La," a breakbeat-driven tearjerker that went to number one in the U.K. Early 2013 brought their debut solo single, "Lay Me Down" - an aching singer/songwriter-soul throwback that scraped the U.K. Smith grew up listening to R&B giants Chaka Khan, Luther Vandross, and Whitney Houston, but their first impression was unique, not merely for the richness of their voice, but its resoundingly expressive yet naturally delivered manner - on a level most singers can't match with maximum effort. hit in 2012, introduced Sam Smith, a London-born vocalist with a deeply emotive voice. Buy the album Starting at kr88,29ĭisclosure's loping dance-pop single "Latch," a number 11 U.K.
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As the song slowly builds, he deliberately releases each syllable of desire - politely but potently, asking for permission to be loved, his voice the most powerful instrument in the arrangement.Purchase and download this album in a wide variety of formats depending on your needs. The show-stopping closer, "Lay Me Down," functions as the opening track's opposite it's simplistic in its compositional approach, and Smith takes advantage of the sparse landscape. With an aversion to genre commitment, Smith flits deftly from power-pop ballads ("Like I Can") to grandiose soul and gospel ("Stay With Me"). In tale after tale of affection, Smith sings of longing, self-doubt, jealousy and bad habits. In the Lonely Hour is brimming with love - though, as its title suggests, it's often unrequited. Smith wastes no time showcasing his falsetto over the hook, defying the song's title by insisting that he actually doesn't have money on his mind: "I do it for the love," he repeats.
The album begins busily with "Money on My Mind," with its flurry of off-beat snaps, driving drums and pulsing keys. But on his full-length debut, In the Lonely Hour, he proves that he can play that game when he feels like it. With a steady, well-trained swell of a voice and a knack for whipping in and out of his falsetto in a hairsbreadth, he doesn't feel the need to hide - not by stifling his vocal abilities and not by ducking beneath distracting, colorful production. Sam Smith's new album, In the Lonely Hour, comes out June 17.īritish singer-songwriter Sam Smith isn't shy.
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